item 12: practical magic
Item 12 has been kind of a challenge for me. I love to read but I get in moods. I seem to always be pulled strongly toward a certain genre and if a book looks even remotely boring, it’ll take me ages to read. I very specifically wanted to read the EW 100 New Classics in reverse order. Unfortunately, number 100 is Jon Stewart’s America which is not written in traditional narrative form. It is very funny but not something I’d just sit down and devour.
When I was packing for Seattle, I decided to throw number 99 and 98 in my bag because they were small paperbacks while my copy of America is the big hardback version. So I’m going to keep going with the rest of the books and just read America slowly.
That said, on the way to Seattle, I read Practical Magic by Alice Hoffman. I had seen the movie so I had an idea of the characters and story but, as is often the case, the book barely resembled the movie. I thought the book was fantastic. I had trouble putting it down. Hoffman writes with such a whimsical, matter-of-fact style that is somehow so charming. She really wrote a fairy tale for adults. It had cursing and sex and people acting like real people and magic and somehow it all worked together.
I am going to try to avoid comparisons with the movie here because I think the book stands completely on it’s own. I will say that I was totally surprised how much older the characters were for the bulk of the novel than the bulk of the film. Sally’s children were teenagers and Jillian had been screwing up her life for much longer than the Nicole Kidman character.
The thing I enjoyed most about the book was all of those whimsical little touches Hoffman threw in and how they related to Sally’s journey. She is so practical every step of the way and yet, as someone who dealt with magic and magical gardens and signs from nature, she regarded them with total nonchalance, never explaining the reason for the magic beyond how it pertained to the story at hand. The reader was immediately forced to accept that things in this world simply were and its our misfortune for not knowing about them earlier. I found the restraint refreshing. So many authors over-explain everything to death but Hoffman, like many great writers, found the story in the things she didn’t say.
It was a magical world because she said it was but there was none of that seance and spells and bringing back from the dead stuff like in the movie. At it’s core, it was a story about three generations of very flawed women and how they get by in both the real world and their own magical one.
I watched the movie again after I finished the book and although I had remembered quite liking it when I first saw it, I found it nearly unwatchable after the book. I am not one of those, “Oh, the book is ALWAYS better,” kind of people. I can readily admit that somethings work better on film, at the hands of a thoughtful director and judicious editor. However, Practical Magic was simply so far from the charming simplicity of the book. They kept the idea of sisterhood but they glammed it up and took out all the things that came through so subtly in print. Also, it was super-cheesy.
Read the book. You won’t be sorry.
